Publications

 

ACADEMIC WRITINGS

1. Significant Aspects of Carinthian Multi-part Singing, as Part of the Diverse Polyphonic Vocal Tradition in the South Eastern Alpine-Adriatic Region, in: Bulletin of the International Research Center for Traditional Polyphony, University of Tbilisi, Gerogia (in press, 2012).
2. The Reciprocity of Multi-part Vocal Traditions and Socio-cultural Structures,p.345-353, in: Multipart Music: a Specific Mode of Musical Thinking, Expressive Behaviour and Sound. Ed. Ignazio Macchiarella et al.,University of Cagliari (Italy) Press 2012.
3. Du krächzt wie ein Rabe… singst wie eine Nachtigall…. Tiervergleiche in der Klangbeschreibung.p.205-218, in:Klangfarbe. Vergleichend-systematische und musikhistorische Perspektiven. Symposium zum 75. Geburtstag von Franz Födermayr, Institut für Musikwissenschaft der Universität Wien 2012.

4. Music of the Bismarck Archipelago in Papua New Guinea, in: “Musikwissenschaftliche Veröffentlichungen der Universität Wien“ (2008)
5. They Howl Like Wolves (“ululant ad modum luporum…”), A new look at an old persistent Lomardian polyphonic oral tradition loathed by medieval and Renaissance music scholars, in Bulletin of the International Research Center for Traditional Polyphony, University of Tbilisi, Gerogia (in press, 2011).
6. The Dorian Mode, in: Resonance, vol 7, no. 2, London Musicians Collective Ltd., London 1999 p. 28-31.
7. The Friction Block of New Ireland, Papua New Guinea, in: Encyclopaedia of World Music, Oceania Volume (Adrienne Kaeppler, ed.), Garland Publishing Inc., NY 1998, p. 380-2.
8. The Music of the Children of the Baluan People, Manus Province, Papuan New Guinea, in: Encyclopaedia of World Music, Oceania Volume (Adrienne Kaeppler ed.), Garland Publishing Inc., NY 1998, p. 258 –9.
9. The Music of the Baluan People, Manus Province, Papua New Guinea, in: Encyclopaedia of World Music, Oceania Volume (Adrienne Kaeppler, ed.), Garland Publishing Inc., NY 1998, p. 602-607.
10. Ethnomusicological Research, Another Performance in the Year of Indigenous Peoples, in: World of Music 1/1993.
11. How Musical is the Performance of the Universe and of our Life in Particular (An ethnomusicological contemplation), in Sounds Australian, Journal of Australian Music, Spring 1992/35, p.13-19.
12. Shark Calling Songs of the Malanggan-Cult-Society on New Ireland, in: World of Music, Oceania Issue 1/1990, p. 49-83.
13. Jaap Kunst Revisited. Multipart Singing in Three East Florenese Villages Fifty Years Later: A Preliminary Investigation, in: World of Music 2/1989, p. 3-51.
14. The role of Music /Sound in pre-Columbian Life, in: The Universe of Music: A History, vol. IX, VI/VII.1 (50 pages), NY (in press no year).
15. Musik (die Musikkultur Bulgariens), in: Südosteuropa Handbuch, Hrsg. Klaus Detlev Grothusen, vol. 6, Bulgarien (Göttingen in press, no year).
16. Introduction to Performing Arts. (Editor and Course-team Chair), 2 vol. (study guide reader, audio and video materials), Deakin University Press 1988.

17. Somatisation, in: Introduction to
Performing Arts, Deakin University Press
1988, p. l-29.
18. Existence as Performance and Performance of Existence, in: Introduction to Performing Arts, Deakin University Press 1988, p. 79-120.
19. Performance-Space-Time, in: Introduction to Performing Arts, Deakin University Press 1988, p. 28-79.
20. Hier Konsonanz dort Dissonanz, in: Weltmusik 3, Feedback Papers (Sonderheft), 1986 Köln, p. 139-167.
21. Kato zvånci li zvånjat ili kato vålci, in: Dokladi 15, Folklor, Second International “Kongres za Bålgaristika”/Bulgarian Studies, Sofia 1986, p.376-385.
22. Book Review: Richard Moyle, Songs of the Pintupi, Musical Life in a Central Australian society, Canberra. Institute of Aboriginal Studies 1979, in: Yearbook for traditional Music 1985, p. 311-313.
23. The Friction Block Lounuat of New Ireland: its use and socio-cultural embodiment. Bikmaus, 4, (3), 1983, Boroko, p. 49-55.
24. Eine Oberösterreichische Panflöte, in Studien zur Musikwissenschaft, Beiträge der Denkmäler der Tonkunst in Österreich, vol. 32, Tutzing 1981, p. 215-228.
25. The two-part vocal style on Baluan Island (Manus Province, Papua New Guinea) in: Ethnomusicology, Pacific Issue, 1981, p. 433-446.

26. Record Review: Music of the Kaluli,
PNG, Recordings, notes and
photographs by Steven Feld. 1981.
Institute for PNG Studies. IPNGS/001.
Music of Oceania, PNG: The Middle Sepik.
Notes by Gordon Spearitt et alia 1981.
Bärenreiter-Musicaphon BM30SL2700.
Music of Oceania, PNG: The Iatmul of Papua Niugini. Notes by Gordon Spearitt et alia 1981. Bärenreiter Musicaphon BM30SL2701, in: Ethnomusicology Vol. 30/1, Winter 1986, p. 155-158.
27. Sind die Symbole und Zeichen auf den Objekten von New Ireland Ideogramme? in: Mitteilungen der Anthropologischen Gesellschaft in Wien, 1980, p. 49-52.

28. Das Reibholz von Neuirland (New Ireland), in Studien zur Musikwissenschaft, Beiträge der Denkmäler der Tonkunst in Österreich, vol. 31, Tutzing 1980, p. 221-312.
29. Die Schwebungsdiaphonie in Bistrica, eine Untersuchung der mehrstimmigen Liedformen eines mittelwestbulgarischen Dorfes. (Schneider, Tutzing 1980). Reviewed in Bulgarska Folklor, Sofia 1981.
30. Auf den Spuren uralter südosteuropäischer Volksmehtstimmigkeit in der Lombardei des ausgehenden Mittelalters und der Renaissance, in: Musica Antiqua Scientifica, Bydgoszcz 1978, p. 31-46.
31. Kulturelle Beziehungen zwischen Nordeuropa, dem Balkan und Süsostasien, in. Makedonski Folklore vol. 14, Skopje 1975, p. 309-314

32. Frühlingslieder in Südkärnten, in
Makedonski Folklore vol. 12, Skopje 1973,
p. 171-177.

 

 

CREATIVE WRITING

33. Queen of the Night’s Revenge, A Play in Two Acts, based on The Magic Flute Part Two by Johann Wolfgang von Goethe. INBI-Sirius Pty. Ltd. Sydney 2000.

35. Zwischenräume, (Interstices, an anthology).
Heyn, Klagenfurt, 1985.

36. Selected Poetry, in: Poetry in Translation,
New York, 1975/76.
37. Selected Poetry, in: Poetry of the World, Madras, India, 1987.
38. Selected Poetry, in: Poetry Australia, Sydney, 1975.

39. Selected Poetry, in: Die Diagonale, Berlin, 1968.

 

 

MUSIC AND VIDEO RECORDINGS

40. Your World is an Amazing Place, various artists. Celestial harmonies 14229-2, double CD 2002 .
41. A new CD release: Songs of the Soul: Music and poetry by Hildegard von Bingen, Peter Abelard, Jalaludin Rumi, and Separdic Romances performed by Cappella Floriani, an SBS Production, Sydney, 1996.

42. Documentary video on musical instrument production: The Friction Block of New Ireland, in: Introduction to Performing Arts, Deakin University Press, Geelong, 1988.

43. Somatisation Video (Stretch and Body
Exercise for the Performer) in:
Introduction to Performing Arts,
Deakin Uniiversity Press, Geelong, 1988.